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go to an exhibition click on the name of the exhibit
or the artist |
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THE
ADOLESCENT
Doifel
Videla
| "The
adolescent" is the title of a very powerful portfolio
created in collaboration between a brother and his sister.
In this work we become involved in the thought process
of a young woman who faces the uncertain passages to
adulthood. The black and white lyrical images are accompanied
by the voice of the adolescent, as she speaks in Spanish.
(There is an English translation next to each image.)
This exhibit contains
audio files.
It requires the QuickTime
4.1 plug-in |
(20
black and white photographs) |
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GOOD
MEMORY
Marcelo
Brodsky
| "My
memoires in images, my deliberation over a tragic past,
which marked my family, my generation, and the Argentine.
The moment has arrived to come to terms with all of
this, and do so from the heart, using images and words.
I am speaking to the younger generations, telling them
that we have to undo this knot in our stomachs, and
do so collectively so that history will not repeat itself."
Marcelo
Brodsky
This
exhibit contains audio files.
It requires the QuickTime
4.1 plug-in |
(141
black and white and color photographs) |
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TENGUEL,
THE SIZE OF TIME
Lucía Chiriboga
| "
With her work, Lucía Chiriboga makes art commited
to the search for the blind spots found in the maps
of the past, a search which will allow history to be
rewritten outside the paradigms of modernism. For her,
as for many of today's artists, memory seems to be the
place where contemporary reality can be productively
articulated. Tenguel, the Size of Time is another account
which rejects the exclusion of the Indians from the
country's history and from the public territory of institutional
discourse."
José
Antonio Navarrete
(17
color photographs) |
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SEX
IN PREHISPANIC TIMES
Judy
de Bustamante
| "...I
envy those 13th century Ecuadorians. I envy the comfort
they felt with their sexuality, the ease and grace with
which they were able to express it. I long for a time
when people can once again be that honest with themselves
and with one another, can distinguish between what is
truly good and truly bad."
Edward
R. Beardsley
(19
color photographs) |
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MAL
DE OJO
Jorge
Rueda
| Mystery
is present in any reality that hides from us the series
of causes that produce it. Jorge
Rueda
(20
color photographs) |
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PHOTOGRAPHS
1966-1996
Anders
Petersen
| "One
of the secrets in Anders Petersen's photography is his
indication of a possible route of escape, a kind of alternative
movement through the city, which could lead to a different
story. A woman's gaze into the camera turns into an unsettling
invitation, often of the forbidden kind."
(24
black and white photographs) |
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FORTUNATE
GRIEF
Diego
Cifuentes
| Normally,
we human beings run away from pain, perhaps because we
don't want to experience the hidden side of life. As far
as I can see, half light is not darkness, but possibility.
"Fortunate Grief" is precisely this, my straightforward
confrontation with distant ghosts and the ones that are
not that far. This series has to do with dreams, frustrations,
the absurdity, the grief, the fracture, and the joy of
being here with oneself. Diego
Cifuentes
(25
black and white photographs) |
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PRISION
OF DREAMS
Vida Yovanovich
| I
was about to reach 40, and so much was moving inside
of me… My mother had just been diagnosed with Parkinson’s.
I’m terribly afraid of old age!
Vida
Yovanovich
This
exhibit contains audio files.
It requires the QuickTime
4.1 plug-in |
(27
black and white photographs) |
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FRAGILE
SENSES
Hiroshi
Kamakura
| "When
I take a photograph, my intention is to capture something
beyond the scene. The most important thing in the picture
is not the photographed subject but the space/distance
between that subject and myself. That something (space,
distance) made of invisible matter becomes a subject
too, which I try to reveal in my photographs."
Hiroshi
Kamakura
(13
color photographs) |
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FINDINGS
Maggie
Taylor
| "These
digital images begin as a collection of individual objects
and backgrounds which I scan into my computer one at
a time using a very basic flat-bed scanner instead of
a traditional camera. When an image is completed, I
have the digital file printed onto water color paper.
Although they are not traditional photographs, I do
think of this as a light-sensitive process. "
Maggie
Taylor
(13
color photographs) |
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RETABLOS
Judy
de Bustamante
| "The
intention of this photo-essay is to express, by means
of allegories, certain sociopolitical realities of Ecuador,
and their consequences: more poverty, demoralization
and anxiety in the community."
Judy
de Bustamante
This
exhibit contains audio files.
It requires the QuickTime
4.1 plug-in |
(14
black and white photographs) |
|
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JOHAN
SIMEN
| "Fascinated
with the enigma of abnormality, I combine parts of different
faces and bodies to create characters with peculiar appearances.
I look for physical expressions that reveal a sense of
truth about my character's state of mind and being. I
often create children and adolescents because they exist
in a state of disingenuous grace and innocence that evokes
compassion and sympathy in the viewer." Johan
Simen
(22
black and white photographs) |
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FRAGMENTS
FROM REALITY
Jorge Lépez
| "The
work I present here is part of three portafolios built
over the last eight years, whose titles are: Sierra
Zapoteca, Seacity (Marurbe) and Pascual's routes. I
developed each one in different times and spaces which
become interlaced by my very particular way of conceiving
photography. "
Jorge
Lépez Vela
(14
black and white photographs) |
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MIDTOWN
Melanie
Einzig
| I
am attempting to photographically map the environment
of Midtown Manhattan as it manifests concepts of corporate
order. (...) I am interested in registering the malaise
producing and dwarfing effects of these manufactured spaces
as well as the exhilarating moments when people break
through the effects of corporate culture's constructed
landscapes. Melanie
Einzig
(17
color photographs) |
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DANIEL
WEINSTOCK
| "Obsessed
with death, suffering,madness, isolation and my own
mental and physical differences with respect to others
and the emotions that these unanswered questions leave,
or with an answer too painful to really want to know
the answer to, I use photography as a means to exorcise
my daemons, transforming them into images on a piece
of paper, maybe trying to liberate myself in so doing."
Daniel
Weinstock
(13
black and white photographs) |
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