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| "We
have christened this project The New Americans because
we believe that the migrants are telling the 'natives'
who they are becoming, and because, from our vantage
point, the migrants the 'New Americans' embody everything
that is American, in the broad, continental sense
of the word. In truth, the title owes everything to
Joseph Rodríguez, an extraordinarily faithful
and inspiring friend and magnificent documentary photographer,
with whom I undertook a trip across the U.S. looking
for migrant stories among a Mexican migrant population
that in recent years has fanned out across the country,
from the largest cities on the coasts to the smallest
of 'heartland' towns."
(A
former live project) |
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MIsha Gordin
I REMEMBER
| "For
the last 30 years I have been involved in conceptual
photography, where the idea or vision is transformed
by the camera to an image connected to reality only
by my imagination. The initial process is similar
to writing poetry. From there it becomes more technical.
I prefer not to describe the technical aspects of
the process.I believe it diminishes the power of an
image."
Misha
Gordin
(21
photographs) |
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John Will
GHOST SHIPS
| "As
the bodies were being removed, the chief engineer
hurried to the bridge where he knew the captian would
be. He took the captain aside and told him what had
transpired on the main deck. Although the captain
was alarmed, he calmly instructed him to do nothing
else until future notice..."
John
Will
(25
old photographs) |
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| "The
circus: a marvelous world that bursts in without notice
with its multi-colored big top, its music, its textures
and it's smells, its lights and shadows, surprising
with its magic the unaware gaze and our fragile heart."
Mariana
Méndez
(14
black and white photographs) |
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María
Teresa García
| Becoming
fifty in my own personal experience and I am certain
in many women's is a time to reflect. I have been forced
to look back and to look forward on what is left, making
choices that are of importance to my life and to my
soul. I have photographed myself to contain my images,
to inmortalize my living.
(20 color photographs) |
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| By
creating dreams in front of the camera, I try to understand
an irrational world, and in this process to understand
also my human essence. All my images have been deeply
influenced unconsciously by my own spiritual elements
found all along the process of creating them.
(14 photographs tinted in sepia) |
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| I
used to take photographs, now I harvest them. I used
to make photographs, now I create them.
(9
color photographs) |
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| It
is my goal to use technology as a tool and not a way
to create some strange abstract photographic piece by
using sixteen filters and then skewing it into oblivion.
The computer has given me a new creative palette to
have fun with not something to overshadow my abilities.
I am still the one that decides which fork to take!
(14 color photographs) |
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| The
feeling of lightness and the exclusion of borders are
conducive to Sabine's montages: pictures made of sketchy
impressions, contained inside a frame that is not aframe,
just a pause between stories, which seem interconnected
to one another. When she is back home, she makes the
montages. She looks at her contacts like a child looks
at her toys. She plays with them, she dreams through
them, she cuts and pastes her dreams
(15
black and white photographs) |
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| The
Tarot of Marseilles, a medieval version, was the source
that served me as a reference due to it's purity and
style, and because it is after all the oldest set of
cards that is conserved intact. The transformation of
this reference into a contemporary MexicanTarot, suggests
to the spectator the possibility to see themselves as
a destiny that does not escape from the universal order
which was set thousands of years ago
(22
black and white photographs) |
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| "Chiapas:
The End of Silence" reflects the complex world
and my transformation with it, from my first views of
timeless society to a confrontation with the deeper
realities of the human predicament.
(16
black and white photographs) |
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| When
I moved back to Los Angeles as an adult and as a photographer,
I returned to the evocative site of a formative time
of my life. "Fast Forward" is the result of
my ensuing four-year journey into the world of L.A.
youth.
| This
exhibit contains audio files. It requires Macromedia
Shockwave
plug-in for audio. |
(24
color photographs) |
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| I
have spent the past two and a half years working on
a project about the coming-of-age of Mexican girls.
I am American, but I lived in Mexico myself from when
I was thirteen until I was eighteen, so this project
has been an opportunity to retrace my own experience
of coming-of-age there. As the quince años
marks the transition from niña to señorita,
it has been a point of departure for me to explore
how Mexican girls come to see themselves as women.
(10
black and white photographs)
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Distant
Relations
| This
is a new and Unusual Dialogue between Chicano, Irish
and Mexican artists, writers and composers addressing
themes which their divergent cultures share in common:
Identity, Discrimination, Exile, Hybridity and Multiculturalism,
among others.
The
complete book. (more
than 30 essays and articles)
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